Seeking #BOOKREVIEWS/ #ARTIST INTERVIEWS/ #BLOGGERS for Quincy Troupe’s Book “Duende: Poems-1966-Now” by Seven Stories Press

***Seeking #BOOKREVIEWS/ #ARTISTINTERVIEWS/ #BLOGGERS ***

for the upcoming book by Quincy Troupe “DUENDE: Poems, 1966 – Now,” published by Seven Stories Press. The book represents more than 50 years of lyrical, evocative writing of celebrated writer, poet, spoken word performer, journalist, Quincy Troupe.

******The book review can be 1-2 pages long. If you are interested in being part of this brilliant book, please put your name in the comment section of this post and I will contact you.******

Please feel free to pass on this brilliant opportunity in your network.

Quincy Troupe may be the only American poet to have co-written two bestselling autobiographies, one of which, Miles: The Autobiography, is considered a milestone of contemporary jazz biography. With a career that has lasted 50 years, his greatest contribution is to American poetry, from his first collections of poems, Embryo (1972), Snake-Black Solos (1978), Skulls Along the River (1984), and Weather Reports (1991) to the many books he published with Coffee House Press including Avalanche (1996), Choruses (1999), Transcircularities (2002, winner of the 2003 Milt Kessler Poetry Award and selected by Publishers Weekly as one of the ten best poetry books of 2002), The Architecture of Language (2006, winner of the 2007 Paterson Award for Sustained Literary Achievement), and Errancities (2012) to the most recent, Ghost Voices (2019) and Seduction (2019).

Quincy Troupe is also a biographer, journalist, professor, spoken word performer with noted jazz artists, an alumnus of the Watts Writers Workshop, associated with the #BlackArtsMovement, former #Californiapoetlaureate, children’s book author, and magazine editor of Black Renaissance/Renaissance Noir. He co-wrote The Pursuit of Happyness, which spent over 40 weeks on the #NewYorkTimes#bestsellerlist, and was made into a major motion picture starring #WillSmith. He is the author of Miles & Me, a memoir of his friendship with #MilesDavis (Seven Stories Press), soon to be a major motion picture co-produced by Denzel Washington. He lives in Harlem with his wife, Margaret Porter Troupe, an art curator and educator.

******ADVANCE PRAISE FOR THE BOOK:*******

“Quincy Troupe is a hoodoo soothsayer of poetry whose iconic riffs peal across each page as they peel back layers of America’s history. Reader—open this hefty Duende potion of Jazz and sweat with caution, ‘cause the swagger of each line might just drown you to save your life.”

—Tyehimba Jess, Pulitzer Prize-winning author of Olio

“Duende is an exuberant, full-scale, magical tour through a life well-lived! Quincy’s mesmerizing rhythms and dazzling images nourish heart, mind, and soul! I love this book!”

—Marilyn Chin, author of A Portrait of the Self as Nation: New and Selected Poems

“In this career-spanning collection, you don’t just read Quincy Troupe’s poetry: You are lifted by his word. You ride syllables and sound and glory. You grasp articulated root-working, know that you are traveling with mastery, the ‘tongue’s edge, high-strung, at the edge of the cliff.’ That’s right. You understand there is no end to this man’s brilliance.”

—Honoree Fanonne Jeffers, author of The Love Songs of W. E. B. Du Bois

“Hallelujah! There’s a hot new book from the peerless Quincy Troupe. Beyond his masterwork, Pursuit of Happyness, and his classic memoir on Miles Davis, Troupe has been celebrated for decades as a poet whose range enlarges the heart. Duende is this year’s comprehensive, must-read collection. Don’t miss the party.”

—Mary Karr, author of The Liar’s Club and Tropic of Squalor

“Quincy Troupe’s Duende is a ‘must have’ collection of this poetry icon’s lifetime’s output of poetic truth-telling, spell casting, melodic improvising, record keeping, tonal shape-shifting, and spirit reckoning. And much more.”—Michael Lally, author of Another Way to Play: Poems 1960-2017

“Back when Quincy and I taught poetry writing in prisons on Riker’s Island, he was already not ‘first-person I’ but ‘eye’ as he appears here in Duende, in these blazing, unshackled, resounding poems. In other words, ego is checked by all that is beheld, all that the eye sees condemns and celebrates in the nonstop enumeration. This is pure imaginative freedom, this is poetry that can never be locked up or denied — it is music made by the eye and heart.”-

-—Carol Muske-Dukes, author of Blue Rose